{"id":91,"date":"2023-10-29T09:04:06","date_gmt":"2023-10-29T09:04:06","guid":{"rendered":"https:\/\/mendezpablo.net\/wp\/?page_id=91"},"modified":"2026-04-13T18:15:24","modified_gmt":"2026-04-13T18:15:24","slug":"texts-and-editions","status":"publish","type":"page","link":"https:\/\/mendezpablo.net\/wp\/?page_id=91","title":{"rendered":"Texts and Editions"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/tienda.artexarte.com.ar\/productos\/tercer-sedimento\/\">Tercer Sedimento<\/a>, Flor Levy, Ed. Arte x Arte, Buenos Aires, 2023 (ES\/EN)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/drive.google.com\/file\/d\/1xCRxQf8e_168mtTouE8qhDdBwVsSI-KU\/view?usp=sharing\" data-type=\"link\" data-id=\"https:\/\/drive.google.com\/file\/d\/1xCRxQf8e_168mtTouE8qhDdBwVsSI-KU\/view?usp=sharing\">Futuros Multiespecie<\/a>, Ed. Bartlebooth, Comp. Azucena Castro, Coru\u00f1a, 2023. (ES)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Text on the work of <a href=\"https:\/\/wendyvachal.fr\/onewebmedia\/Du%20jour%20ou%CC%80%20il%20a%20plu%20de%20la%20compote%20-%20sur%20le%20travail%20de%20Wendy%20Vachal,%20Pablo%20Me%CC%81ndez%202023%20-%20VF%20%281%29.pdf\" data-type=\"link\" data-id=\"https:\/\/wendyvachal.fr\/onewebmedia\/Du%20jour%20ou%CC%80%20il%20a%20plu%20de%20la%20compote%20-%20sur%20le%20travail%20de%20Wendy%20Vachal,%20Pablo%20Me%CC%81ndez%202023%20-%20VF%20%281%29.pdf\">Wendy Vachal<\/a> (FR), 2023.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/issuu.com\/mataderomadrid\/docs\/matadero-anuario-cra-digital_1_\" data-type=\"link\" data-id=\"https:\/\/issuu.com\/mataderomadrid\/docs\/matadero-anuario-cra-digital_1_\">Anuario Becas creaci\u00f3n CREA Matadero<\/a>, Madrid 2021 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/139.144.21.251\/memory\/2020\" data-type=\"link\" data-id=\"http:\/\/139.144.21.251\/memory\/2020\">Essay<\/a>, BIM, with Tania Puente, 2020. (ES\/EN)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/hiper-sensible.com\/issues\/01\/\" data-type=\"link\" data-id=\"http:\/\/hiper-sensible.com\/issues\/01\/\">Hipersensible<\/a> (2019) (ES)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/medium.com\/anthropocene2050\/faire-avec-lincertitude-dans-l-anthropoc%C3%A8ne-hacer-con-la-incertidumbre-en-el-antropoceno-cbc77d74d44\" data-type=\"link\" data-id=\"https:\/\/medium.com\/anthropocene2050\/faire-avec-lincertitude-dans-l-anthropoc%C3%A8ne-hacer-con-la-incertidumbre-en-el-antropoceno-cbc77d74d44\">Faire avec l&#8217;incertitude<\/a> Interview with Julie LeGall, 2019<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Poster A0, 80gr <a href=\"https:\/\/drive.google.com\/file\/d\/1YOECzb2QT_IhrqOwegKTYmeEYnAiXw97\/view?usp=drive_link\" data-type=\"link\" data-id=\"https:\/\/drive.google.com\/file\/d\/1YOECzb2QT_IhrqOwegKTYmeEYnAiXw97\/view?usp=drive_link\">Conference on blindness<\/a>, in collaboration with Jorge Luis Borges (FR) 2015<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/drive.google.com\/file\/d\/16cb0hZ8ywvcoLF2J95T-tVlxTViZ52P8\/view?usp=sharing\" data-type=\"link\" data-id=\"https:\/\/drive.google.com\/file\/d\/16cb0hZ8ywvcoLF2J95T-tVlxTViZ52P8\/view?usp=sharing\">Un coup dd<\/a>. 2014 (FR)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dialogues with my <a href=\"https:\/\/drive.google.com\/file\/d\/1099YXjTxZ2f5nGntBknBR0ZtUY05v-jd\/view?usp=drive_link\" data-type=\"link\" data-id=\"https:\/\/drive.google.com\/file\/d\/1099YXjTxZ2f5nGntBknBR0ZtUY05v-jd\/view?usp=drive_link\">psychanalyst.<\/a> In collaboration with Regine LeBon or &#8220;Le Bon R&#8221; that in french sounds alike El Buen Aire (buenos aires). 2014<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tercer Sedimento, Flor Levy, Ed. Arte x Arte, Buenos Aires, 2023 (ES\/EN) Futuros Multiespecie, Ed. Bartlebooth, Comp. Azucena Castro, Coru\u00f1a, 2023. (ES) Text on the work of Wendy Vachal (FR), 2023. Anuario Becas creaci\u00f3n CREA Matadero, Madrid 2021 Essay, BIM, with Tania Puente, 2020. (ES\/EN) Hipersensible (2019) (ES) Faire avec l&#8217;incertitude Interview with Julie LeGall, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":474,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-91","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/mendezpablo.net\/wp\/index.php?rest_route=\/wp\/v2\/pages\/91","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mendezpablo.net\/wp\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/mendezpablo.net\/wp\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/mendezpablo.net\/wp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mendezpablo.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=91"}],"version-history":[{"count":6,"href":"https:\/\/mendezpablo.net\/wp\/index.php?rest_route=\/wp\/v2\/pages\/91\/revisions"}],"predecessor-version":[{"id":666,"href":"https:\/\/mendezpablo.net\/wp\/index.php?rest_route=\/wp\/v2\/pages\/91\/revisions\/666"}],"up":[{"embeddable":true,"href":"https:\/\/mendezpablo.net\/wp\/index.php?rest_route=\/wp\/v2\/pages\/474"}],"wp:attachment":[{"href":"https:\/\/mendezpablo.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=91"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}