My curatorial practices operates as an extension of my research-based work: a way of thinking with artworks through context, material conditions, and the ethics of display. I work with exhibitions and with artistic processes, focusing on conceptual coherence, the clarity of decisions, and the production of meaning without reducing complexity to explanatory language.
Curating here is not limited to selecting works. It involves building a structure of attention: how a project is staged, what it asks of its viewers, what it makes perceptible, and what it refuses. The questions that guide my work—ecology, interspecies relations, material justice, and critical theory—are not themes to illustrate but vectors that shape situated curatorial choices.